Commitment: the state of being emotionally impelled to do something. My commitment is to making art, loving life and doing well.

Daily Artworks... my continuing challenge for 2015: Observe and record. Record and observe. And stretch - s-t-r-e-t-c-h - myself.
What will I discover?

Showing posts with label grisaille. Show all posts
Showing posts with label grisaille. Show all posts

Tuesday, November 29, 2011

Value Study - Summer Flowers: Clintonia

Preliminary Drawing
Value Study for Summer Flowers: Clintonia
Digital drawing, 600px x 600px

Today is a sunny day in November, very nice in its own right, but my mind wants to hold on to pleasant memories of summer wild flowers.

This drawing is of a lovely wild lily with small yellow flowers, variously called Clintonia, or Carrion flower, or Blue bead lily. The blue beads are the seed pods or berries of this plant, which are as startlingly bright a blue in the fall as the yellow is a shimmering chartreuse in the early summer.

How wonderful to recall things like this.
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Saturday, November 26, 2011

Texture Study - Rocks, Ripples and Refractions

Preliminary Drawing
Texture Study - "Rocks, Ripples and Refractions"
Digital drawing, 800px x 600px

I always found what goes on at the bottom of a pond fascinating to watch.

Underwater, rocks and sticks that look so clearly defined on land get covered with a gooey brown blanket which obscures their features. On the surface of the water, there are waves and bubbles and patches of light which compete for your attention against the objects lying on the bottom. And where the sun shines through those waves, patches of light and shadow get projected, with reflections and refractions, onto the underwater rocks and sticks that are already barely recognizable.

It's a real game to figure out what you are looking at. And it's mesmerizing to simply follow the shapes made by the flow of the ripples back and forth. Surface and bottom. Bottom and surface. Light and shadow. Fascinating.
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Saturday, November 12, 2011

Preliminary Drawing - Lodge Bay 2 - Ice Edge

Preliminary Drawing for Bones of the Earth series
"Lodge Bay, Labrador 2 - Ice Edge"
Digital Drawing, 800px x 600px

Edges or boundaries mark where one thing ends and another thing starts.

The edge of the ice is the place where liquid water turns solid. An edge is generally not abrupt but rather is created as a process. The changes at the edge of the ice are gradual and are subject to conditions like wind and water current and temperature.

This drawing is another preliminary study for a painting I have underway. The drawing is done in a technique called grisalle, featuring marks of black and white on a gray surface. I like grisaille because it enhances the sense of three-dimensions in the drawing, and because it emphasizes the details the image that I will eventually paint in colors.
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Thursday, November 3, 2011

Preliminary Drawing - Pinware River 3 -Rapids

Preliminary Drawing for Bones of the Earth series
"Pinware River 3, Labrador - Rapids"
Digital drawing, 800px x 600px

I realized as I was completing this drawing that a rapids is a waterfall inside a river. Wow!

For computer drawing, I use a digitizing tablet and stylus, and a graphics software that lets me use layers. In this drawing, I used one layer for the black lines, another layer for the airbrush gray spray and a third layer for the white background. Keeping each component separate simplifies how I work. When I have finished the drawing, I flatten all the layers together and save the drawing in its final format to use online.
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Wednesday, November 2, 2011

Preliminary Drawing - Pinware River 2 - Waterfall

Preliminary Drawing for Bones of the Earth series
"Pinware River 2, Labrador - Waterfall"
Digital drawing, 600px x 600px

Over time, even the smallest waterfalls split open rocks and create their own erosion zones. This is another preliminary drawing for a painting I have underway.

This technique of creating an image in white and black on a gray background is called grisalle.
Grisaille creates an enhanced sense of three-dimensions in the artwork. Some artists use grisaille as the background for painting, because it gives strongly modeled forms. I am using it as a way to explore the way streams of water fall over rocks and break apart over obstacles in their way.
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Wednesday, February 10, 2010

An Apple A Day 25 ... Acrylics - Layering


Apple on a light surface, acrylic layered painting.
Acrylic on paper, 7 in x 10 in.


Tuesday, February 9, 2010

An Apple A Day 24 ... Acrylics - Layering


Apple on a dark surface, acrylic layered painting.
Acrylic on paper, 7 in x 10 in.


Sunday, November 30, 2008

Wednesday, November 26, 2008

Tuesday, November 25, 2008

Wednesday, November 19, 2008

Grisaille Apple #2

Every day a new image, for the month of November

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