On My Back Door-Step # 11

Fireweed Turning Color (#11)

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Watercolor on paper, 11in x 15in
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In summertime, the fireweed plant has the-pinkest-of-pink blossoms that shimmer and are practically florescent in the sunlight, along with a subtle, sturdy green color for its leaves and stems.
But in the autumn, it is the foliage of the fireweed that has the showiest display, in fiery (of course) reds, oranges, yellows, and various shades of chartreuse.
In painting #10, I was unhappy with the mixes I had achieved with a limited palette of three colors, prussian blue, cadmium yellow medium and rose red quinacridone. Today, I added viridian and cadmium red medium to the lineup, and I substituted hansa yellow lemon for the cadmium yellow. Well, what a difference!
Today was a sunny fall day and the light kept moving through the trees, changing the intensities of the colors on the ground even as I was watching them brighten and fade.
Nevertheless, I am happy with what I recorded today. Never satisfied, but happy!
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On My Back Door-Step #10

Fireweed Blossoms (#10)

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Watercolor on paper 11in x 15in

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For many years, I have worked with a limited palette of colors: a bright yellow, a red usually in the pink register, and a blue of some sort. Since I started these back door-step paintings, I have been using my outdoor sketching supplies, which include a portable box of a dozen pans of watercolor, two yellows, two reds, two blues, two greens, two browns, plus a black and a white.

Well, it's starting to get chilly outside, so on some days for this project I confess, I am actually doing the painting indoors once the drawing is established. And yes, I am noticing a difference in how I am handling the paint.

Indoors, I take more time in applying the color, and today, when I used tube color instead of my trusty little paint box, I fell back into my comfort zone of the limited palette of three colors. Honest! I didn't mean to! I did take out five tubes, but I only squeezed paint out of three of them, cadmium yellow medium, rose red quinacridone and prussian blue. So, there I was working with a limited palette again.

And what did I learn? I found I was unhappy with the approximation of the colors I was mixing, and with how distant those hues were from what I knew I had seen. In working outdoors, I have learned to perceive more of the colors that my eyes can distinguish.

I want to go back outside and paint this image again.

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