Complementary Blends 2 - Blue and Orange

Complementary Blends 2 - Blue and Orange

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Colored pencil on paper, 6.5" x 10"
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Hue, saturation and value are different ways of looking at colors. With complementary pairs, there are only two hues, just two colors, in this case orange and blue.
Saturation, or color intensity, is a way of noticing how brilliant or dull a color looks. As complementary color blends approach a neutral tone, they become lower and lower in intensity.
Value is a way of describing how light or dark a color appears.

The two hues in this drawing are blue and orange. I used a single blue pencil as close in pigment to a spectrum blue as I could find in my 120-pencil universe, and a single orange pencil, also as close in pigment to a spectrum orange as possible.

The colors in this complementary pair are at their highest saturation. They are as intense as the pigment will allow. When I blended the orange and blue to make different tones of browns, the saturation got less and less as the color got closer to a pure brown and away from the bluish tones or the orangey tones.

The value, or the lightness, of the orange is higher than the value of the blue. In other words, the blue is darker than the orange. As the blue and orange are blended, the value of the resulting brown also blended. The orangey-browns are higher in value than the bluish-browns.

Knowing how to use the intensity of the color to create contrast or emphasis in a drawing, and knowing how to manipulate the lightness and darkness for atmospheric or emotional effect are useful tools for artists.
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Complementary Pairs 1 - Blue and Orange

Complementary Pairs 1 - Blue and Orange
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Colored pencil on paper, 6.5" x 10"
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Blue and orange are complementary colors. Like the other two primary and secondary complementary pairs (red/green and yellow/violet), these two colors show high contrast against each other, yet when blended together they yield a neutral tone.

For this drawing I chose a blue mug, its glaze is almost a pure ultramarine blue, and a plate of orange sections, with the sun shining through the fruit to give luminous orange tones. I used only four different colors of orange pencils and two different colors of blue pencils on white paper.

The dark brownish tones in the reflections in the mug came from darker blue and orange colors, and the shadows on the fruit and under the plate are a lighter tone from the lighter blue and orange colors they were blended with.

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